All in Photo Essays

Stone Works: The Religious Power of Lithic Media in Contemporary Cambodia

Stone Works: The Religious Power of Lithic Media in Contemporary Cambodia

Elizabeth A. Cecil
Articles, Photo Essays

How do Indigenous repertoires of ‘care’–i.e. scripted and ad hoc practices of using, maintaining, repairing, and beautifying religious sites and objects–intersect with the ‘work’ of historical conservation? In what ways are religious values expressed through the continued use and reuse of historical sites? Finally, can these works of piety be integrated within current conversations around the preservation of ancient temples and religious sites in Southeast Asia? To explore these questions, this essay brings images collected during field research in 2023 at premodern Hindu and Buddhist temple sites in Cambodia into conversation with historical sources that contextualize the reciprocal relationships that exist between religious practitioners, sites, and objects.

Color, Graffiti and the Senses: Visitors and Worshippers at Indian Archaeological Sites

Color, Graffiti and the Senses: Visitors and Worshippers at Indian Archaeological Sites

Uthara Suvrathan
Photo Essays

This essay examines ancient Buddhist monastic sites, now archaeological/tourist sites, and the ways in which people experience and interact with the past, mediated through material culture. For example, the historic sites of Ajanta and Ellora in India are known for their vibrantly colored paintings, protected in various ways including signs banning the performance of rituals. And yet, we find that visitors respond to these sites in unexpected ways, for instance, by placing gold foil on carvings of the Buddha as a form of veneration and worship. The traces of this interaction, both past and present, can be seen in various kinds of graffiti and in the use of architectural form and light. By observing contemporary practices and the ways visitors develop their own experiences, one can suggest new ways in which heritage can be managed and presented.

Of Kiwi Fruit and Kewpie Dolls: The Wonder of Modern Alankara in Bangalore

Of Kiwi Fruit and Kewpie Dolls: The Wonder of Modern Alankara in Bangalore

Tulasi Srinivas
Photo Essays

The daily aesthetic ornamentation of the deity known as alaṅkāra is an everyday feature of temple ritual. This colorful ornamentation, traditionally of flower garlands and fruit offerings, is synchronized to daily and festival calendars, with spectacular alaṅkāra offered during festivals. Alaṅkāra offers the temple priests scope for creativity, yet it is carefully controlled and codified according to liturgical texts, for it is thought to how God is revealed. Speaking to new practices of alaṅkāra in temples in Bangalore through the usage of new materials such as Kiwi fruit and Kewpie dolls the author suggest a new understanding of modernity and Hindu aesthetics, not only expanding devotees’ understandings of divinity, but inviting devotees to feel adbhutha or wonder.

Gǝʿǝz manuscripts in Ethiopia: What a trained outsider can see today

Gǝʿǝz manuscripts in Ethiopia: What a trained outsider can see today

Nafisa Valieva
Peer Reviewed, Photo Essays

Ethiopia, one of the oldest Christian countries on the Horn of Africa, remains one of the few places in the world where parchment manuscripts are still produced and allows scholars to historically trace textual transmission. As the technology of mass print production competes with this ancient practice, this photo essay considers how church communities preserve manuscript production and protect its sacred value in liturgical practices.

Garlands for Gods in Southeast India

Garlands for Gods in Southeast India

Leah Comeau
Photo Essays, Peer Reviewed

This is a study of flowers and garlands in Tamil South India as they travel through temples and markets and are grown, sold, and bought by a variety of communities. Various threads of sensory engagements, including colors, fragrances, and the clamor of the market and festive temple grounds, all accumulate into a sense of community aesthetics and sensational forms, from which a devotee might draw to participate.