The Jugaad Project

All tagged Indonesia

Apr 5

Apr 5 Bamboo Crafts Development Projects in Indonesia: Who to Develop? What is to be Developed?

The crafts development project model has played a crucial role in developing Indonesian socio-economic situations at the communal, regional and national levels. The top-down development project model adopted by the government has caused an overlap of development systems among agencies trying to reach the grassroots levels for the past three decades. Yet, the attempt to “develop” craft industries inevitably conflicts with preserving producers’ work and customs. This article unveils subject-object relations in a traditional bamboo cottage industry in Cikiray Hamlets, West Java, where the ecological factors around the hamlets shape the daily and seasonal routines of the craftspeople involved in commodifying their crafts.

Apr 5

Apr 5 2022 Spring Issue - Craft

Simashree Bora and Urmila Mohan

Editorials

How are craft production, techniques and skills interwoven into the space of the “everyday” as culture and identity in South and Southeast Asia? How are different understandings of tradition and indigeneity to be incorporated into such a discussion? Our Spring 2022 issue on Craft explores those questions via communities and cultures in India and Indonesia, featuring peoples’ cosmologies and beliefs in different ways. Lira Anindita Utami’s article on gringsing, a sacred double-ikat textile of Bali, and Debapriya Chakrabarti’s article on the infrastructural impact of Durga Puja idol-making in Kolkata deal with more explicitly religious objects. Lalita Waldia’s article on the woodcarving craft of likhai in Uttarakhand, India, and Amira Rahardiani’s study of bamboo weaving development in Central Java, Indonesia, delve, instead, into the complexities of craft as livelihood and heritage.

Jul 22

Jul 22 Buraq and Landscapes: Anchoring Islamic Identities and Images in Works of Modern Indonesian Art

Anissa Rahadiningtyas

Peer Reviewed, Articles

As a semi-mythical steed that accompanies the Prophet Muhammad in the isra/mi’raj narrative, the Buraq occupies an important place in Muslim imaginations across the globe including Indonesia. The author explores the works of two Indonesian modern artists, A.D. Pirous (b. 1932) and Haryadi Suadi (1939-2016) to understand how the form and function of Buraq is reimagined according to the genealogy of their artistic practices, as well as their religious and cultural backgrounds.

Sep 1

Sep 1 Heavenly Garden: Creating Intimacy, Developing Empathy

Ratu Saraswati

Articles, Reviews

The author, a performance artist, describes the impetus behind “Optik-Optik Kecil” (Tiny Optics), a participatory artwork of collecting morning dew. The performance was held in an area of land in Depok, a city close to Jakarta in West Java province. It was set at a specific time—weekend mornings during the holy month of Ramadan when Muslims fast from dawn to dusk. Participants canvassed the landscape collecting morning dew and, much like the practice of fasting, the performance itself aimed at cultivating people’s empathy. With dew as the materiality of hope and awareness, the artist hoped to make the participants’ realities intersect, even if briefly, within the space of the landscape.