As a semi-mythical steed that accompanies the Prophet Muhammad in the isra/mi’raj narrative, the Buraq occupies an important place in Muslim imaginations across the globe including Indonesia. The author explores the works of two Indonesian modern artists, A.D. Pirous (b. 1932) and Haryadi Suadi (1939-2016) to understand how the form and function of Buraq is reimagined according to the genealogy of their artistic practices, as well as their religious and cultural backgrounds.