All tagged islam

Interview with Sedekah Benih – Urban Ecology and Community-based Art Activism

Sedekah Benih is a collaborative and urban environmental practice initiated by an urban farming activist, Dian Nurdiana (Mang Dian), and artist Vincent Rumahloine in 2020 in one of the dense urban neighborhoods in Cibogo, Bandung, West Java. It aims to share and exchange knowledge of urban farming more widely and build a community of “tiis leungen” (Sundanese for “cold arms”), a term comparable to the English “green thumbs”. Drawn from a localized Arabic word and concept of صدقة (sadaqah), which means “righteousness” and refers to the giving of charity, Sedekah Benih aims to share seeds of everyday staple plants that can be grown in dense community spaces and used for local and domestic needs. It encourage collaborators to share the seeds of plants they received with others from their communities, growing connected communities.

Civil Religion in Turkey: The Unifying and Divisive Potential of Material Symbols

Civil religion refers to citizens’ devotion and loyalty to the nation and state. Like other religions, it needs symbols that bond citizens to different notions and experiences whether non-tangible forms (political beliefs, the law, or a constitution) or tangible (flags, images, statues, and spaces). Visual representations of these forms can unite people around common values, goals, and history. This paper aims to widen our understanding of the importance of material objects in developing and sustaining national bonds in Turkey where objects and spaces have long helped to form and maintain Turkish identity, and mobilize and unite people.

Heavenly Garden: Creating Intimacy, Developing Empathy

The author, a performance artist, describes the impetus behind “Optik-Optik Kecil” (Tiny Optics), a participatory artwork of collecting morning dew. The performance was held in an area of land in Depok, a city close to Jakarta in West Java province. It was set at a specific time—weekend mornings during the holy month of Ramadan when Muslims fast from dawn to dusk. Participants canvassed the landscape collecting morning dew and, much like the practice of fasting, the performance itself aimed at cultivating people’s empathy. With dew as the materiality of hope and awareness, the artist hoped to make the participants’ realities intersect, even if briefly, within the space of the landscape.