Over the past decade, postural-yoga classes have grown to become “museum yoga” attracting new audiences to North American and Western European museums and galleries. The author argues that the museum yoga spectacle is a derivative trend that follows International Yoga Day as a virtue-signalling performance. These annual events are largely attended by a global cultic milieu of affluent white women, who organise themselves into a grand spectacle of mass participation. Through their involvement in the museum yoga spectacle, programming staff and participants are “spiritually bypassing”. As an alternative, the author moves towards examples of museum-yoga education that better engage learners.